Inpired by Man Ray's raygrams, Len Ley in 'Colour Cry' discovers new applications of the process and creats the best and the most ellaborate cine-raygrams ever. For years he searched for materials and experimented new effects. The texture and complex points he creats reflect his exquisite sense of abstraction. The colours are of extreme purity. The pungent music combines with the images to create a powerful movie." -Roger Horrocks, in 'Figures of Motion/ Len Lye/ Selected Writings', 1984