Coin-clad Ginger Rogers warbles "We're in the Money" while dancers Ruby Keeler, Joan Blondell and Aline MacMahon pursue wealthy admirers - Waren William, Dick Powell - while not forgetting 'My Forgotten Man'. Via numbers featuring hundreds of women playing neon violins,Busby Berkeley - glimpsed as a backstage call-boy - aimed to top "42nd Street" and did. It sums up what is now meant by the phrase 'pure thirties'. It's a funny, good-natured backstage musical, and a Depression period piece as well. The innocent vulgarity of the big numbers is charming and uproarious.