During the first World War the Austro-Hungarian army was fighting Italian soldiers in the Alps. Yervant Gianikian and Angela Ricci Lucchi narrate their everyday life war life in blood red and deathly pale tones. The sequences of which su tutte le vette è pace is composed where shot at the time by the hostile camps themselves. There s no enemy in the movie in their film. The soldiers run into the empty, snow-white landscape, become ghostly shadows, vanish or are transformed and are broken and are broken down with the film material itself into diffuse surfaces. Sometimes a face appears. Then the directors enlarge the camera shot to a detailed view and almost bring the film to a standstill. The individual image makes the individual person visible again, before he goes past the camera and, in the next full shot, falls, hit by an invisible bullet. The diary entries song by Giovanna and Francesco Marini tend expression to his voice. Their music turns Su Tutte le Vette è Pace into a requiem that reveals the absurdi