A Japanese friend told me once that a synopsis should be like a brochure in a travel agency that invites us to visit an exotic place. Following his advice, me and The Girl in The Mirror invite you to travel to a curious place, mysterious maybe, a sophisticated mirror box in a television studio. A place where to apply red lipstick in the lips gives life and the broadcast camera takes it away, reclaiming lost girls in endoscopic romances to the darkness, where they evaporate, in the empty interior of haute couture dresses.