Artists from films, whose lives are made-up, fictional artists: who are they, how do they live, how do they work? What kind of clichés do they convey? Do they reflect the way that contemporary artists view themselves or do they represent an anachronistic image of the artist in a society heavily influenced by modern media? The twelve montages, taken from more than one hundred films ranging from classics to B-movies, engage in a subjective game with these questions.