Quoting César Monteiro, I could say that what was intended tofilm here was not the movie itself, but its reflection, like in a mirror. Above allan enigmatic mirror, whose individuality is unparalleled. A Homeric Ulisses, lonelyand in the youth of his vigorousness, motivated by the presence of his preciousRitinha for dinner, whose unsullied name and high aspirations for the lead, decidesto pamper the nymph with a celestial meal. After a repast fuelled by etherealchatter about mankind and its conviction, that conclude nothing but the frailty ofreason towards feeling, Ulisses takes on an attempt of seduction as a concludingaction to this story.