The film tells a history made of crossings and interceptions from other small histories, flashes, photographs, creating a series of analogies between some images. We explore the conflict of the memory in an editing which is based on the concepts of photography, appealing to techniques such as flash-editing, imposing a stroboscopic rhythm to the film. It is in its essence, a film with an experimental character that doesn’t intend to have a linear history, thus boosting the space for conflict.