The material with which Gussin created his video installation was taken from the Kubrick's film “2001 Space Odyssey” (1968), from the famous Stargate sequence. The work consists of two monitors or screens on which are shown two edits from the scene, one approximately three minutes, the other approximately four-and-a-half minutes long. Although the two videos begin in the same place, they quickly become unsynchronised, showing different parts of the scene in which Bowman is subjected to a number of disorientating perceptual shifts and physical transformations. In using two unsynchronised screens in “Beyond the Infinite”, Gussin heightens the dislocations that Bowman experiences, allowing the opportunity for him to share the same space with his past or future self.