The daily life of an immigrant woman, a precarious worker on a farm, is drab, hard and, above all, silent and lonely. In “Green House”, a humanist and social portrait about a pertinent and very current issue, the days are repeated, with no big fuss nor thrills. The main character finds herself at a crossroads, never forgetting her past and where she came from, always between the hope for better days and the fear from the uncertainty of what is yet to come. (JA)