By way of superimposition, “Teorema” video series combines excerpts from Pier Paolo Pasolini’s film “Theorem” and fragments from mainly religious paintings by Caravaggio and others. All the exhibit is like an encounter—between the modern and contemporary eras, during which art history went through profound changes; between two media at a time that could be considered a golden age; between two Italian artists known for their success and for their scandalous lives and whose works were received with both admiration and indignation; between two aesthetics that could be defined as naturalistic and both of which have dealt with sacred and profane subjects; and, on a more metaphorical level, between art works and the public at every station of this exhibit.